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Essay on the great depression of the 1930s

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Essay on the great depression of the 1930s

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The Causes of Canada s Great Depression of 1929-1939 Essay

bt business plan 1 Sorry to read about the on the great of the, confusion. I have looked into this for you. Basically for the Unlimited calls package, it is aldo leopold odyssey ?15.00 per line/channel so if you wished to have this call package on the 15 lines/channels you would have to pay for 15 call packages. If you have the call package on one line the call minutes are only for that one line and are non transferable. On The Great Depression 1930s? Hope this has cleared this up for you.

BT Forum Moderator. Can you clarify that the aldo essay, unlimited allowance is or is not shared between the channels? I.e. most calls will be made on channels 1 2 and very likely to go over 5000 minutes. This is what I wanted clarifying as I have had BT local Business tell me it is shared between all the channels I have 1-15 making 75,000 minutes (well 70,500 as this is deducted from the total) of 01,02,03,08 numbers and 4,500 minutes of depression, Mobiles (excluding 3G and Dolphin) However BT Business have told me that is NOT shared between the a level history, channels and they are PER LINE, making 4,700 minutes and 300 minutes respectively per Line. As you quite rightly point out most of our calls will be Lines 1-6 maximum as this is how most Telephone Systems are programmed and so on that basis it would not be worthwhile changing from my existing supplier. I am told by a friend that BT Local Business do not care whatever they tell you as they do not bill you - it becomes BT Business problem from essay of the 1930s, a billing point of view and I do not want to be tied into on terrorism and jihad a 2 year contract without complete clarification (T's and C's from BT which I cannot find anywhere) I feel there is a lack of clarity from BT and is further confused on this forum as Tracey a BT Forum Moderator is quoted below. Sorry to on the great depression of the 1930s, read about the confusion. I have looked into this for you.

Basically for the Unlimited calls package, it is ?15.00 per line/channel so if you wished to papers to do, have this call package on the 15 lines/channels you would have to essay on the great of the, pay for 15 call packages. If you have the call package on one line the call minutes are only for that one line and are non transferable. Hope this has cleared this up for letter you. BT Forum Moderator. This reads to me that the inclusive plan is PER LINE or CHANNEL although not conclusively and yet in essay on the depression of the a forum post further up the page Chris3p who is a BT Partner states the following. I should also mention that the Unlimited deal is subject to a Fair Usage Policy. This translates to 5,000 fixed line and international minutes per month and 300 fixed line to leopold odyssey, mobile minutes. If you have the package on a multi-line installation (using the example I made in my post above) this allowance is multiplied by the number of subscriptions you have e.g. 20,000 fixed and international minutes and 1,200 fixed to mobile minutes. I would just like someone to point me to the Terms and Conditions that define exactly what the situation is - Are these minutes per essay great depression of the Line/Channel and billed as that or shared over the Lines/Channels the customer has.

Any help would be appreciated. Hope this clarifies. The shared minutes depend on waitress cover letter, the type of essay depression of the, lines you are using (individual or Auxillary) Are the 500 free minutes, and the Unlimited Calls Packages, line based, or shared by site or customer level? The Free Minutes and the Unlimited Calls Packages are applied per line or installation (where applicable) and are not. transferable to other lines outside of that installation. Every eligible fixed line in the customer’s One Plan Inclusive inventory receives the 500 Free minutes. The Unlimited. Calls Package is opt in and has to be taken at “installation level” – so all lines sharing the same telephone number. (auxiliary lines) must also take the english papers to do, Unlimited Calls Package and pay the Unlimited Calls Package charge. The Unlimited Calls Package has to be taken at installation level - so all lines/channels sharing the same telephone number (auxiliary lines) have to take a package and essay great 1930s pay the law and order essay, fee. However, monitoring of the Fair Use Policy is also at installation level. Great Depression Of The? Each calendar month BT adds together the coursework, allowance per line in of the the installation (“total allowance”) and the usage across all the lines in dashboard the installation (“total usage”). Where the total usage exceeds the total allowance BT will commence charging for additional calls on all lines in depression of the 1930s the installation from the aldo leopold, next calendar day.

Keeping the essay depression of the, maths simple - if I had three lines (1 + 2 aux) on cover letter, a ?500 One Plan Inclusive and wanted to take the essay great, Unlimited Calls Package: I'd have to letter, have 1 per line = 3 and on the of the pay 3 x ?15 = ?45 per month Fair Use Policy allows up to english papers, 5000 inland/idd fixed minutes and 300 f2m minutes This gives me 15,000 inland/idd mins and 900 f2m mins across my installation (3 lines) per month It does not matter whether each line uses them equally, or one line uses all of them. So line 1 could exceed 5000 inland/idd minutes but would not be charged for additional calls if the total for the installation had not reached 15,000. This is not the same if I had 3 separate telephone lines, on separate numbers/installations: In this instance I could pick whether to have packages on any line but would not have to have on all three if I did not want to on the great of the 1930s, Fair Use Policy allows up to law and order essay, 5000 inland/idd fixed minutes and 300 f2m minutes - but this is measured at installation level, so in this example it applies on a line by line basis (there is no pooling) If any individual line/installation with an essay on the great depression 1930s, Unlimited Calls Package exceed the Fair Use Policy they would be charged from the next calendar day - even if other lines/installations had not reached their FUP. Happy to speak to on terrorism and jihad, ypu directly if required. PM your contcat information and I will 'phone you.

We offer a range of calling plans that give you great savings on your calls. We have a plan to suit your needs whether you have just a land line or you have a range of services with BT. Choose from one of the essay great of the 1930s, options below to history, see which calling plan is best for your business. Want to get-on Google's first page and loads of traffic to. your website? Hire a SEO Specialist from Ocean Groups.

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The Great American Depression of the 1930 s: American History Essays

history essay ,mexican american immigration 1500 words. Chicano Park and the Chicano Park Murals: Barrio Logan, City of San Diego, California Author(s): Martin D. Rosen and James Fisher Source: The Public Historian, Vol. 23, No. 4 (Fall 2001), pp. 91-111 Published by: University of California Press on behalf of the National Council on Public History Stable URL: . Accessed: 06/10/2011 13:38. Your use of the JSTOR archive indicates your acceptance of the essay on the, Terms Conditions of Use, available at . JSTOR is a not-for-profit service that helps scholars, researchers, and a level coursework history students discover, use, and great depression of the 1930s build upon a wide range of content in a trusted digital archive. We use information technology and a level history tools to increase productivity and facilitate new forms of scholarship.

For more information about JSTOR, please contact University of California Press and National Council on Public History are collaborating with JSTOR to digitize, preserve and of the extend access to The Public Historian. The Public Historian, Vol. 23, No. 4, pp. 91#x2013;112 (Fall 2001). ISSN: 0272-3433 #xA9; 2001 by the Regents of the University of online, California and the. National Council on Public History. All rights reserved. Send requests for permission to reprint to Rights and Permissions, University of. California Press, 2000 Center St., Ste.

303, Berkeley, CA 94704-1223. Chicano Park and the Chicano Park Murals: Barrio Logan, City of San Diego, California. MARTIN D. ROSEN and great depression of the 1930s JAMES FISHER. After the disastrous Loma Prieta and Northridge earthquakes of 1989 and 1994, respectively, then-Governor Pete Wilson mandated that the Califor- nia Department of Transportation (Caltrans) make the highway bridges of the state safe for the motoring public. Caltrans entered into a massive seismic strengthening program that has encompassed almost every type of bridge and highway-related cultural resource situation in the state. One of. MARTIN D. ROSEN prepared the Section 106 and online PRC#xA7;5024 documentation for this project, including the Historic Property Survey Report, Historical Resources Compliance Report, and on the 1930s the Negative Archaeological Survey Report. He is the heritage resource coordinator and a district archaeologist for Caltrans District 11 in San Diego. Mr.

Rosen#x2019;s education in- cludes a B.A. and M.A. in anthropology from the University of California, Los Angeles. He is, a Registered Professional Archaeologist, with archaeological experience in California, Nevada, New Mexico, and Guatemala. On The 1930s! He has authored some two dozen articles in his field and served as an editor of the Society for California Archaeology#x2019;s Proceedings for its first eight years, the last five of those as editorial chief. A Level! JAMES FISHER conducted the architectural/historical resources inventory and the background research for the Historical Resource Evaluation Report on Chicano Park and the Chicano Park Murals. He is an architectural historian and historian with the California Department of great depression of the 1930s, Transportation, Environmental Program, Sacramento. Dr. Fisher#x2019;s education includes a B.A. and an M.A. in history from Sacramento State University, Sacramento, and a Ph.D. in history from coursework State University of New York, Stony Brook. His experience includes three years as a state historian in the California Office of 1930s, Historic Preservation, Department of Parks and Recreation; ten years with Caltrans working in dashboard cultural resources survey and depression of the Section 106 compliance; and twenty years of teaching U.S. and California history at the University of California, Davis; Sacramento State University; and Sacramento City College. 92 n THE PUBLIC HISTORIAN.

the most challenging projects has involved the retrofit of the San Diego#x2013; Coronado Bay Bridge and cover its approach ramps. The bridge connects the cities of San Diego and Coronado across San Diego Bay (Figure 1). On the on the of the 1930s, east side of the bay, the bridge cuts a swath through the Barrio Logan community as it approaches Interstate 5. Within that community lies Chicano Park, located under the bridge#x2019;s five approach ramps. Cover Letter! The park is the site of depression of the 1930s, monumental Hispanic mural art, which uses the bridge#x2019;s columns as its canvas. Because the seismic retrofit project had to comply with federal and dashboard state laws regarding its impact on significant cultural resources, part of the essay great 1930s, process for this undertaking required researching and evaluating Chicano Park and the Chicano Park murals. Based on the authors#x2019; research,1 the park and murals were found eligible for listing on essay on terrorism, the National Register of essay on the depression 1930s, Historic Places and for aldo essay placement on the California Register of Historical Resources.2 Prior to essay on the great of the 1930s, the Caltrans undertaking, the murals had only been formally recognized by the City of San Diego Historical Site Board. During the process of seismic retrofitting, however, Caltrans cultural resource staff evaluated the historic significance of the Chicano Park murals. Cover Letter! As a result of this evaluation, Caltrans successfully determined the essay of the 1930s, murals, all under fifty years old, to be eligible for inclusion in the National Register of Historic Places. This essay examines this unusual combination of coursework history, circumstances that led to essay, the formal recognition of Latino art in essay and jihad San Diego as an important cultural resource.

Located in southwest San Diego some 17 miles from the United States- Mexico border, Logan Heights was once a predominantly upper-middle- class community known as the East End. It was annexed to San Diego in essay great depression the late 1880s, and its name was changed to Logan Heights in papers to do 1905. On The Great Of The 1930s! It is one of San Diego#x2019;s oldest communities and the location of one of the longest established Mexican-American (#x201C;Chicano#x201D; hereafter) communities in San Diego County. Barrio Logan quickly took on a separate community flair with a distinctively Latino identity and came to waitress cover letter, represent a major center for Chicano culture and social activities. As commerce and on the of the industry began developing along the bay during and after the turn of the century, Barrio Logan prospered and continued to increase in population through World War II. When the war ended, however, much of the cover letter, area#x2019;s employment ended as well. Later, in the 1950s, the city of San Diego. 1. James Fisher, Historic Research Evaluation Report for the San Diego-Coronado Bay Bridge [#57-857], Chicano Park and essay great depression of the 1930s the Chicano Park Murals, San Diego County (Sacra- mento: California Department of Transportation, 1996). Martin D. Rosen, Historic Property Survey Report, San Diego-Coronado Bay Bridge, Seismic Retrofit Project 4; 11-SD-75, P.M. R21.9/R22.3, 021941 (San Diego: California Department of papers to do, Transportation, 1997). Martin D. Rosen, Historical Resources Compliance Report, San Diego-Coronado Bay Bridge, Seismic Retrofit Project 4; 11-SD-75, P.M.

R21.9/R22.3, 021941 (San Diego: California Department of Transportation, 1998). 2. Chicano Park and the Chicano Park murals were found eligible for essay on the depression of the the National Register and placed on the California Register on english to do online, January 31, 1997. CHICANO PARK MURALS n 93. revamped its zoning laws. Property in Barrio Logan was changed from strictly residential to essay great depression of the, mixed use, allowing the influx into the community of auto junk yards and wrecking operations and other light industrial plants.

The cumulative effect of these land use policies resulted in the dislocation of families, business closures, and waitress letter the construction of essay great depression 1930s, transportation facilities that required more and more land in the area. Barrio Logan#x2019;s population decreased precipitously, and by 1979, had fallen from to do online a pre-war high of essay depression of the, 20,000 to about 5,000.3. 3. Essay On Terrorism! Pamela Jane Ferree, The Murals of Chicano Park, San Diego, California (unpublished M.A. thesis, San Diego State University, 1994), 26. Alan W. Barnett, Community Murals: The People#x2019;s Art (Philadelphia: The Art Alliance Press, 1984), 107. 94 n THE PUBLIC HISTORIAN. In the early 1960s, the construction of essay on the great depression, Interstate 5 severed Barrio Logan from the larger community of Logan Heights. Then the essay in urdu, San Diego- Coronado Bay Bridge, constructed between 1967 and 1969 and sited in an east-west direction to link with Interstate 5, further bisected the barrio, essentially #x201C;completing the devastation,#x201D; according to long-time community activist Al Ducheny.4.

Chicano Park is on the great of the 1930s, a 7.4-acre park located in San Diego City#x2019;s Barrio Logan beneath the east-west approach ramps of the San Diego-Coronado Bay Bridge where the bridge intersects Interstate 5. The park#x2019;s main section is bounded by cover, Interstate 5 to depression 1930s, the east and National Avenue to the west, with a smaller pan-handle section extending from National Avenue to Newton Avenue and flanked to the south by Dewey Street (Figure 2). The park was created in 1970 after residents in Barrio Logan participated in an April 22nd. #x201C;takeover#x201D; of land that was being prepared for a substation of the California Highway Patrol. Essay! Since 1970, Barrio residents have made extensive use of essay of the 1930s, their new park for social and aldo essay odyssey political events. Annually, on the Saturday nearest April 22nd, the Latino community of essay on the depression of the 1930s, San Diego and the Barrio Logan neighborhood have celebrated the founding of, Chicano Park with feasting, speeches, music, and dancing. Of The! The park#x2019;s facilities include children#x2019;s play- grounds, restrooms, a Kiosko or dance pavilion, a ceremonial kiva, sculp- tures, a water fountain, picnic areas, multi-purpose courts, open play lawns, a raised plaza, and two small parking areas accessed from on terrorism and jihad Logan Avenue and essay on the great depression 1930s National Avenue. Chicano Park is distinguished by approximately forty prominent murals painted on twenty-four concrete pillars (columns or bents) and two abut- ments sited throughout the park area, which support the San Diego end of the San Diego-Coronado Bay Bridge. The murals depict images of history, Mexican pre-Columbian gods, myths and essay great of the 1930s legendary icons, botanical elements, ani- mal imagery, the Mexican colonial experience, revolutionary struggles, cultural and spiritual reaffirmation through the arts, Chicano achievements, identity and bicultural duality as symbolized in the search for the #x201C;indig- enous self,#x201D; Mexican and Chicano cultural heroes and coursework heroines such as La Adelita, Cesar Chavez, Father Miguel Hidalgo, Che Guevara, Pancho Villa, Emiliano Zapata, and scenes based on contemporary Chicano civil rights history.

Because the evaluated properties, Chicano Park and its murals, are less than fifty years old, they had to meet National Register of Historic Places. 4. Essay On The! Michael Granberry, #x201C;20 Years Later, Span is Loved and Loathed,#x201D; Los Angeles Times, 2 August 1989. Cover Letter! Also see: Patrick McDonnell, #x201C;City Urged to essay great of the 1930s, Use Coronado Bridge Tolls for Barrio Logan Projects,#x201D; Los Angeles Times, 20 October 1990; Barnett, Community Murals, 107. On Terrorism And Jihad! It should be noted that the Interstate 5 and State Route 75 construction projects of the 1960s were implemented at essay great 1930s a time prior to the enactment of NEPA (National Environmental Policy Act), CEQA (California Environmental Quality Act), or the National Uniform Reloca- tion Act, which today helps to protect communities from the potentially devastating and a level history disruptive impacts caused by major public improvement projects. CHICANO PARK MURALS n 95. Criterion Consideration G: Properties That Have Achieved Significance Within the Last Fifty Years, as well as the National Register Criteria for essay great depression of the Evaluation, in aldo odyssey order to be found eligible for the National Register.5 The National Register generally excludes properties less than fifty years old. 5. Essay Great Depression Of The 1930s! National Register Bulletin 15: How to Apply the dashboard, National Register Criteria for Evaluation (U.S. Department of The Interior, National Park Service, Interagency Resources Division, Washington, D.C.), 41#x2013;43.

96 n THE PUBLIC HISTORIAN. unless those properties possess exceptional significance. The intent of the time limit is to ensure that sufficient historical perspective has been devel- oped to identify properties of enduring importance and avoid listing prop- erties of only passing contemporary interest. At the same time, the National Register provides for recognition of properties from the recent past when sufficient historical perspective and scholarly comparative analysis exist and can justify a finding of exceptional significance. Prototype transportation facilities, homes of important writers and depression 1930s artists, significant scientific re- search facilities, outstanding examples of modern architecture, extraordi- nary folk art, early examples of icons of popular culture, and properties associated with major themes of the essay, recent past, such as the exploration of essay on the great 1930s, space, the civil rights movement, and cold war relics, are among the varied properties under fifty years old that have been listed on or determined eligible for listing on the National Register. Barrio Logan#x2019;s Chicano Park was found eligible for the National Register under Criterion A at the local level of significance due to essay, its critical association with the Chicano Civil Rights Movement and events that have made a significant contribution to the broad patterns of the on the great depression 1930s, City of San Diego#x2019;s political and social history.6 The creation of the essay odyssey, park has been recognized as a major defining moment in the history and essay depression 1930s development of the Barrio Logan community. The Chicano Park Murals, even younger than the park, were also found eligible for listing on the National Register under Criterion A at the local level of significance for their association (1) with political and cultural activities identified with the Chicano Civil Rights Movement and law and (2) with a growing recognition of the significance of muralism in mainstream art endeavors.

The murals have deep transcendent values and constitute a historic resource for which the Barrio Logan community has an unusually strong associative attachment. The importance of the great of the 1930s, Chicano Park murals has been underscored by local, national, and international recognition of their artistic and social value. After the earthquakes, Caltrans was committed to a level history, find a way to retrofit the essay on the of the 1930s, bridge and ramps to achieve increased public safety, while at waitress cover the same time, protect the murals as significant community resources. The fact that Chicano Park and its murals were less than fifty years old was not of supreme. 6. Essay! The National Register criteria, as cited in essay on terrorism 36CFR#xA7;60.4, state that the quality of essay great depression of the, signifi- cance in letter American history, architecture, archaeology, engineering, and culture is present in districts, sites, buildings, structures, and objects that possess integrity of on the great depression of the 1930s, location, design, setting, materials, workmanship, feeling, and association, and (Criterion A) that are associated with events that have made a significant contribution to the broad patterns of our history; or (Criterion B) that are associated with the lives of persons significant in our past; or (Criterion C) that embody the distinctive characteristics of a type, period, or method of construction, or that represent the work of a master, or that possess high artistic values, or that represent a significant and distinguishable entity whose components may lack individual distinction; or (Criterion D) that have yielded or may be likely to yield, information important in prehistory or history. CHICANO PARK MURALS n 97. importance. Even if they had not been found eligible for the National and California registers, Caltrans was determined to limit the adverse impacts that the project might have on the subject resources. From the very beginning of the waitress cover, project, community input was actively solicited and inte- grated into project proposals and such input was viewed as vital in the successful implementation of the undertaking. On The Great Depression! Consequently, the engi- neers#x2019; initial and standard retrofit technique of wrapping the columns in steel cylinders and to do online in-filling with concrete was completely unacceptable because it would have destroyed the murals. The engineers were tasked to develop an alternative that would achieve the essay of the, seismic goals of the project and aldo essay preserve the murals.

The resultant strategy involved work in the diaphragm areas above the columns, where the bridge deck meets the tops of the columns, and around the bent footings below ground, thereby leaving the on the depression 1930s, column faces untouched (Figure 3). Only one mural in the park, located on Bent G46, was painted above the essay and jihad, columns into the diaphragm area, that being Death of the Farm Worker by Michael Schnorr. For the affected mural, about 30 percent of its total surface will be recreated by Mr. Schnorr after construction. Scaffolding will be provided to Mr. Essay On The Depression Of The! Schnorr for this purpose and history then donated to essay on the great depression of the, the park for future mural projects. (A fairly complete listing of the murals, their dates of construction and original artists, is law and, presented in Appendix A.) To ensure mural protection during construction, Caltrans hired art conservator Molly Lambert to oversee the great 1930s, contractor#x2019;s operations.

The contractor was also required to hire art conservators to prepare a mural protection plan and develop the a level history, protection strategies. That work was undertaken by Donna Williams and essay great Aneta Zabata. Photographer Phillipp Rittermann and order essay in urdu Ms. Essay Of The! Lambert completely photo-documented the aldo leopold, murals prior to construction to provide a comparative record of before-and-after conditions to make sure the murals were not damaged during the retrofit process. To date the project is nearly seventy-five percent completed, and so far no mural damage has been detected. With community input, Chicano Park itself is being enhanced to include a new children#x2019;s playground, additional landscaping, new decorated walk- ways (hardscaping), benches, picnic tables, shade structure, barbeques, lighting, electrical outlets, and irrigation. It is Caltrans#x2019; intent to leave the park in much better condition than when it arrived. Even though this project was not a federal undertaking, Caltrans still had to fulfill its cultural resource requirements under state law (PRC#xA7;5024.5).

Caltrans#x2019; cultural resource process closely follows Section 106 of the Na- tional Historic Preservation Act, as promulgated in 36CFR#xA7;800. The pro- cess involved defining the project limits, or what is known as the Area of Potential Effects (APE). Cultural resources within the APE were invento- ried and evaluated for their potential eligibility to essay 1930s, the National Register of Historic Places, the California Register of Historical Resources, or both. Finally, determinations were made on leopold odyssey, how the on the of the, project affected those. 98 n THE PUBLIC HISTORIAN. resources deemed significant. Papers To Do! It is essay, Caltrans#x2019; policy to avoid adverse effects first, minimize effects second, and consider mitigation as the essay depression, last resort.

Given that the, project was only on the great 1930s, going to effect a portion of one mural, and waitress cover letter as mitigation that affected portion was going to essay on the depression of the, be recreated by the original artist, Caltrans avoided causing an adverse effect to coursework, the park and murals through its redesign efforts. The present authors began their studies by researching Chicano Park history and the history of the murals in 1930s the park. To place the resources in their proper context, the importance of essay and jihad, muralism in mainstream art and in. CHICANO PARK MURALS n 99. particular to Latino/Chicano cultural heritage had to on the great depression 1930s, be researched and documented.

A significant body of literature was reviewed in this respect. Numerous oral interviews were conducted with muralists and other activists who have been actively involved with Chicano Park since its founding. Libraries in both San Diego and a level coursework history Sacramento were utilized and depression of the 1930s newspaper archival materials were particularly useful. Through these efforts it became quite apparent that Chicano Park and it murals were significant cultural resources even though they were less than fifty years old. The authors had no trouble developing an argument in favor of leopold essay odyssey, significance. The authors#x2019; roles involved analyzing all the various cultural resources studies conducted for the project, including the Chicano Park and mural evaluations, prehis- toric and historic archaeological surveys, bridge evaluations, historic build- ing surveys, and underwater archaeological surveys, and synthesized them in a report for State Historic Preservation Officer (SHPO) review. Essay Great Depression Of The 1930s! In the formal submittal to the SHPO, Caltrans requested concurrence that the park and aldo essay the murals be found eligible for the National and California registers.

The authors continue to work with the Chicano Park Steering Committee to help secure future funding for mural restoration projects. At the depression 1930s, same time the cultural resource efforts were underway, other Caltrans staff, mostly from the environmental (Geralda Stryker) and land- scape architecture (Tom Ham and Beth Hall) departments, continued to meet with the community to share information with them about the project and to seek their input on the kinds of park amenities they desired. Leopold! The project was quite complicated in terms of construction staging, as Caltrans wanted to minimize the impact of the project on the public#x2019;s use of the on the of the, park. As the engineers continued to develop the strategy that allowed for seismic retrofitting work while leaving the bridge columns relatively untouched, Project Manager Ramon Ruelas, Project Engineer Carlos Cortez, and essay Project Resident Engineer Dennis Wilder helped tremendously to ensure that the environmental commitments were carried through during con- struction. Political Activism and Muralism. Since at least 1967, many residents in Barrio Logan had believed that they would be given some land for of the a park.

On April 22, 1970, the formal struggle for a park in Barrio Logan began when Jos#xE9; Gomez, a long-time resident of the aldo leopold essay, neighborhood, and students, families, and children occupied the land under the on the depression of the 1930s, approach ramps of the law and order, San Diego-Coronado Bay Bridge, after they learned that a California Highway Patrol station would be built there. Between 250 and on the depression of the 1930s 500 people representing a wide cross-section of the essay in urdu, community disrupted grading work that was already in progress. They occupied the site for essay on the of the twelve days and english online demanded that a park be created. 100 n THE PUBLIC HISTORIAN. immediately. On The Depression! To emphasize their point, the occupiers began the work of creating a park by dashboard, using shovels, pickaxes, hoes, and essay great rakes to prepare the aldo leopold essay, ground for the planting of grass, shrubs, and essay depression 1930s flowers.7 Forming the Chicano Park Steering Committee, the activists demanded that the property be donated to the Mexican-American community as a park in aldo leopold which Hispanic culture could be expressed through art.8. Community activists withdrew from the disputed land only after city officials promised negotiations regarding the use of the land. San Diego City Councilman Leon Williams, whose district included Barrio Logan, assured the neighborhood residents that they would have a city park under the 1930s, Coronado Bridge.

The City of San Diego, through the efforts of community spokeswoman Angie Avila and a level others, finally negotiated a settlement with the on the, Chicano Federation, a consortium of various community groups, and the Chicano Park Steering Committee that required the city to exchange city-owned land for the disputed state land. To Do! The city would then build a 4.5- acre park (eventually to be expanded to a total of 7.4 acres) on the acquired land bounded by Logan Avenue and National Avenue. The creation of the park was a major defining moment in the history of the Barrio Logan community.9. The civil rights movement of the 1960s and essay depression 1930s 1970s inspired a revival of muralism, as did the Mexican Revolution of the 1920s and the New Deal of the 1930s; however, the differences are crucial. Modern Chicano muralism was generally not government sponsored.

It grew out of a desire for change and was typically centered in waitress barrios and ghettos of inner cities. Muralism inspired efforts to reclaim a community#x2019;s cultural heritage and was used as a means to develop individual and community self-pride. Murals were an expression of essay on the depression of the, collective vision and tended to link the artists to the people to cover letter, shape content in the genre of essay great depression 1930s, social realism. And Jihad! Techniques were consciously developed to allow non-artists to participate and paint their own murals. Indeed, community participation underscored community empowerment. 7. Armando Acuna, #x201C;Saving a Slice of Chicano Park,#x201D; Los Angeles Times, 4 June 1989.

Philip Brookman, #x201C;Looking for Alternatives: Notes on Chicano Art, 1960-90,#x201D; in Richard Griswold del Castillo, Teresa McKenna, and Yvonne Yarbro-Bejarano, eds., Chicano Art: Resistance and on the of the 1930s Affirmation, 1965#x2013;1985 (University of California, Los Angeles: Wright Art Gallery, 1991), 185#x2013;86. Brookman, #x201C;El Centro Cultural De La Raza: Fifteen Years,#x201D; in Brookman and Guillermo Gomez-Pe#xF1;a, eds., Made in Aztlan: Centro Cultural De La Raza Fifteenth Anniver- sary (1986), 20. #x201C;Work Halted by State At CHP Site Near Bridge,#x201D; San Diego Tribune, 23 April 1970. Titus Fisher, #x201C;City Holds Fate of Park for dashboard Chicanos,#x201D; San Diego Tribune, 24 April 1970. #x201C;State #x2018;Hold#x2019; Grant Delay Affect Park,#x201D; San Diego Tribune, 4 March 1971. Nancy Ray, #x201C;Chicanos Vacate Bay Bridge Site,#x201D; San Diego Union, 1 May 1970. Essay On The Great Depression! #x201C;Council Okays Bay Park Agreement,#x201D; San Diego Tribune, 12 November 1971. Bill Callahan, #x201C;Bay Bridge Art Shows Its Age,#x201D; San Diego Tribune, 28 March 1984. 8. Acuna, Los Angeles Times, 4 June 1989.

Brookman, #x201C;Looking for Alternatives,#x201D; 185#x2013;86. Brookman, #x201C;El Centro Cultural,#x201D; 20. Order Essay! #x201C;Work Halted by State at depression CHP Site Near Bridge,#x201D; #x201C;Looking for Alternatives#x201D;; Fisher, #x201C;City Holds Fate.#x201D; 9. Angie Avila, legislative analyst and long-time Barrio Logan resident, interview with authors, San Diego, 13 March 1996. CHICANO PARK MURALS n 101. and its involvement in politics. Chicana muralist Judy Baca, founder of the arts organization known as SPARC (Social and dashboard Public Art Resource Center) and a major Los Angeles exponent of the mural art form, noted: #x201C;Chicano murals have influenced international muralism greatly and contributed to the shift in emphasis from Mexico to the United States as the on the 1930s, center of dashboard, mural production in the world.#x201D;10. Agreeing, Eva Sperling Cockcroft, muralist and essay author of Towards a People#x2019;s Art (1977), one of the law and order, first comprehensive studies of the commu- nity mural movement, concluded: #x201C;Nowhere did the community-based mural movement take firmer root than in essay great the Chicano communities of order, California. With the Mexican mural tradition as part of their heritage, murals were a particularly congenial form for Chicano artists to on the of the, express their collective vision of their community.#x201D;11 Not surprisingly, California has more murals than any other part of the United States. The revival of muralism in the barrio was a reaction to such contemporary concerns as high levels of gang and drug violence, restrictive employment opportunities, English-only laws, and a lack of political power in spite of an dashboard ever-increasing population base.12. The height of Chicano political activism occurred between 1969 and 1975 and not only dictated the specific social and economic issues the great depression, movement dealt with, but also coincided with the most productive period of Chicano muralism. Certainly this was the historical context in which the english, Chicano Park murals fit.

Such grass-root muralism was generally funded by the artists themselves, local businesses, or community social and arts cen- ters, and essay on the great depression 1930s projected the themes of Chicano nationalism and cultural identity. In keeping with a long tradition of Mexican art as resistance, murals became the cover letter, art form of choice, silent sentiments and creative yearnings that were vivid and eye-catching, explosions of lights that vanquished the great 1930s, shad- ows while merging the past and the future with the present. In Urdu! They spoke to essay on the depression of the, the ever-increasing social consciousness of the barrio and Chicano sensibili- ties and reflected issues and symbols that ranged from Aztec icons to the United Farm Workers#x2019; black eagle, combining the Spanish and Indigenous heritage, a significant source of California#x2019;s history. Most of the murals were painted between 1973 and law and essay in urdu 1980.13. 10. Essay On The Great Depression Of The 1930s! Judy Baca, in in urdu Preface to Eva Sperling Cockcroft and Holly Barnet-Sanchez, eds., Signs From the Heart: California Chicano Murals (Venice, Calif.: Social and Public Art Resource Center, 1990), 1. 11. Cockcroft and Barnet-Sanchez, Signs from the Heart, 1, 9#x2013;10.

Cockcroft et al., Towards a People#x2019;s Art (New York: E. Depression! P. Dutton Co., 1977). 12. Nicolas Kanellos, The Hispanic Almanac: From Columbus to Corporate America (Detroit: Gale Research, 1993), 358. 13. Ron Buckley, #x201C;City of San Diego Historical Site Board Register, #143#x201D; (unpublished San Diego Historical Site Board documentation, 1980), 2. Raul Jaquez, artist, interview with authors, San Diego, 1 March 1996. Salvador Torres, artist, interview with authors, San Diego, 29 February 1996. Jos#xE9; Montoya, poet, artist, musician, Professor of Art, California State University, Sacramento, interview with authors, 10 March 1996. 102 n THE PUBLIC HISTORIAN.

From the mid-1970s to online, the 1980s, muralism gained wider acceptance outside the essay on the depression of the, barrios and was even introduced to audiences at more traditional art galleries. Waitress Letter! Books on essay great of the 1930s, murals were published, conferences held on the subject, and artists from other countries began to sing the, praises of Aztlan muralists. In 1983, the quarterly magazine Community Muralists began publishing.14 By this time, new social and artistic themes served to augment the traditional symbols of the farmworkers#x2019; black eagle flag, the Virgin of Guadalupe, the maguey agave (symbol of renewal), and pre-Columbian images of Quetzalcoatl and pyramids.15. Cockcroft believed that muralism gained a new vitality in the 1980s due to opposition to the rise of political conservatism in the United States and the military involvement of the United States in Central America, namely Panama, Nicaragua, El Salvador, and Guatemala, and the #x201C;war on drugs#x201D; program in South America.16 A growing Chicano population and emerging political power in the southwest helped to define social issues such as bilingualism in educa- tion, immigration, and trade. Through its own visual appeal, innate power, and on the great of the innovative character, Chicano art at this time displayed an ability to cross over into the mainstream of society in essay spite of its often intense political content. The Chicano Civil Rights Movement attacked the stereotypes that maintained that barrio art was #x201C;folk#x201D; art and that true artistic recognition had to come through assimilation into the mainstream culture. According to Marcos Sanchez-Tranquilino:

Chicano art is currently entering its #x201C;appreciation#x201D; period as it gains increased acceptance in essay great of the the larger art market. It is highly valued for the art market as a new source of color, form, imagery, and text. A Level Coursework History! However, the understanding of it can only be achieved through analysis of its historical roots and development. Paradoxically, its certified roots (through social art histories) in social resistance will increase its value in the market place. Chicanos, both artists and non-artists, in addition to everyone else in this country, are having to reformulate the contexts of their identities as the demands of living in on the depression 1930s an increasingly publicly acknowledged multi-cultural society begins to seriously impinge upon hard-earned recent social positionings.17. Chicano Park Murals.

On March 23, 1973, mural making in Chicano Park began in earnest. Two teams of Chicano artists, Los Toltecas en Aztlan, from the Centro Cultural. 14. Cockcroft and Barnet-Sanchez, Signs from the Heart, 13. Law And Order Essay In Urdu! 15. Shifra Goldman, #x201C;How, Why, Where, and When It All Happened: Chicano Murals in. California,#x201D; in Cockcroft and Barnet-Sanchez, Signs from the Heart, 33#x2013;34. Cockcroft and Barnet-Sanchez, Signs from the Heart, 14.

Brookman, 1986, 40. On The Great Depression! Cesar Martinez, #x201C;Unpublished Statement,#x201D; in Griswold del Castillo et al., Chicano Art, 22. 16. Cockcroft and aldo leopold essay Barnet-Sanchez, Signs from the Heart, 16, 100. On The Great Depression 1930s! 17. Jacinto Quirate, Mexican American Artists (Austin: University of Texas Press, 1973), 68. CHICANO PARK MURALS n 103. de la Raza (Balboa Park) and El Congreso de Artistas Chicanos en Aztlan, began to apply paint to the concrete abutments of the essay, bridge#x2019;s off-ramps flanking the east and great 1930s west sides of Logan Avenue.

On May 13, 1973, the San Diego Tribune took notice of the Chicano Park art project: Their names are Mexican, so is their art. They paint on concrete. Work began on the bridge columns a month ago and many may not be completed for years. A Level History! The City has granted artists permission to paint the concrete walls and pillars under the Coronado Bridge from southeast San Diego to the Coronado Bay. The walls are washed, then treated with an on the great of the 1930s acid and primer. When dry, charcoal sketches are made and then filled with acrylic paints. . . . Law And Order Essay! They said their work reflects, #x201C;our thinking, our background, the barrio, the essay depression of the 1930s, struggle, la Raza (the Mexican people).#x201D;18. The murals in Chicano Park were executed over an extended period of time and in three main phases. The first phase of mural making, 1973#x2013;1974, involved two Chicano art collectives (noted above), Los Toltecas en Aztlan and El Congreso de Artistas Chicanos en Aztlan, and the work emphasized pre-Columbian motifs and the #x201C;dominance of Chicano nationalism and spontaneity in the imagery portrayed.#x201D;19 For example, the first phase murals include Quetzalcoatl (1973), Historical Mural (1973), and Children#x2019;s Mural (1973). Cockcroft notes that essentially this first phase represented the #x201C;possessing [of] the dashboard, park, marking it with the placa or logo, of the commu- nity.#x201D;20.

The second phase in essay great depression 1930s 1974#x2013;1975 included invited artists from communities throughout California, most notably Los Angeles and Sacramento. An infusion of new ideas resulted from this period. These second phase murals include Chicano Park Logo (1974) / Rage of La Raza (1974) (see cover of this issue), Cosmic Clowns (1974), Tree of Life (1974), Allende (1974), Birth of La Raza (1974), Chuco/Homeboy (1974), Colossus (1974), Leyes (1975), Mandala (1975), Mujer Cosmica (1975), and Female Inteligencia (1975). The third mural phase, 1977#x2013;1981, celebrated a resurgence in com- munity pride by, for example, questioning the inordinate number of junkyards in the barrio and their visual and english to do audio impacts on the quality of life. Essay On The Great Depression 1930s! Marked by a twenty-day Mural Marathon organized by a level, Victor Ochoa in 1978, this third phase utilized the skills of some non-Chicanos and placed emphasis on educational and historical themes. On The Great Depression! Ron Buckley, of the aldo leopold odyssey, San Diego Historical Site Board, described this phase of the park murals as #x201C;art forms that represent the past history and culture of the Mexican-American community of the essay on the great of the, Barrio. #x201D;21 Examples of the third phase murals include: Varrio Si, Yonkes No! (1977), Varrio Logan (1977), Founding of Mexico (1978), Coatlicue (1978), Virgin of. 18. Lee Grant, #x201C;Chicano Artists Go to the Walls,#x201D; San Diego Union, 13 May 1973. 19.

S. Torres, interview with authors, 29 February 1996. 20. Eva Sperling Cockcroft, #x201C;The Story of aldo essay odyssey, Chicano Park,#x201D; Aztlan 15 (Spring 1984), 79#x2013;103. 21. Buckley, #x201C;City of San Diego,#x201D; 1.

104 n THE PUBLIC HISTORIAN. Guadalupe (1978), Los Grandes y Frida (1978), Rocks to Huelga (1978), Che (1978), Chicano Pinto Union (1978), Sue#xF1;o Serpiente (1978) , and Aztec Archer (1981).22. Unlike the creation of the majority of the murals in the 1970s, the few done in the 1980s and essay great depression 1930s early 1990s were accomplished under a set criteria of need, ability, subject matter, and waitress cover the availability of funding. Examples include Sunburst (1986), Ball Player (1987), UFW Grapes (1988), San Diego People, Thanks from Yokohama (1990), and Tribute to Roger Lucero (1993). By early 1984, a group of on the depression 1930s, artists led by waitress cover letter, Salvador Torres and Mario Torero and members of the Chicano Park Arts Committee began the on the 1930s, work of touching up the murals. Papers! Due to the fact that mural life is about ten years, maintenance is important. In 1991, the California Department of Transpor- tation trained numerous artists in repair techniques.23. It was the essay depression of the, vision of individual artists and others that initiated the painting of murals on the huge, sterile columns that dominated the park site (see. Tree of Life (mural, 1974/1992). Original artists: Felipe Adame, Guillermo Aranda, and Arturo Roman.

Located on bridge Bent T46 in Chicano Park. (Photograph by aldo leopold essay odyssey, Martin D. Rosen, November 1999) 22. Ferree, #x201C;Murals of Chicano Park,#x201D; 40. Leonel Sanchez, #x201C;Murals Reflect Barrio#x2019;s Step Into Activism,#x201D; San Diego Union-Tribune, 23 April 1995. S. Torres, interview with author, 29 February 1996. 23. Ann Jarmusch, #x201C;Restoration Begins on Chicano Park Murals,#x201D; San Diego Tribune, 29 August 1991. Essay Depression! Salvador Torres and a level Gloria Torres, artists, interview with authors, San Diego, 29 February 1996. CHICANO PARK MURALS n 105. Appendix A). They envisioned #x201C;a seemingly endless canvas, stretching to essay great, the waters of the law and order in urdu, bay four blocks away,#x201D; an opportunity to transform and #x201C;personalize#x201D; the dreary concrete landscape.

The artists would crystallize David Siqueiros#x2019; description of murals, that they must be #x201C;monumental. Mujer Cosmica (mural, 1975). Original artists: Esteban Villa and Ricardo Favela. Located on on the great depression 1930s, Bridge Bent S45 in dashboard Chicano Park. (Photograph by great, Martin D. Rosen, November 1999) 106 n THE PUBLIC HISTORIAN. and realistic,#x201D; and the Chicano Park murals would be #x201C;bigger than life itself.#x201D;24. By the late 1970s, nearly every major Chicano muralist in California and the Southwest, by invitation and inclination, had participated in the making of Chicano Park murals. For example, Rupert Garcia, internationally known painter from waitress letter Stockton and San Francisco, designed the tribute mural to Diego Rivera, Clemente Orozco, David Siqueiros, and Frida Kahlo. The Royal Chicano Air Force from Sacramento, led by Jos#xE9; Montoya Esteban Villa and Juanishi Orosco, placed its grand contributions on the park#x2019;s columns, as did muralist Charles #x201C;Cat#x201D; Felix, Jr., the driving force behind the acclaimed Estrada Courts murals in Boyle Heights, Los Angeles in 1973. The development of essay depression of the 1930s, Chicano Park and its murals remains an ongoing process (#x201C;a work in progress,#x201D; in the words of Salvador Torres).25 Moreover, the murals serve as a reminder to people in the community that they can change their environment.

Victor Ochoa emphasized that the #x201C;community needs the murals to speak up on certain issues.#x201D;26 Larry Baza, executive director of Centro Cultural de La Raza in Balboa Park, suggested that #x201C;murals are illustrated sentiments#x201D; designed to overcome the limitations of. Sue#xF1;o Serpiente (mural, 1978/1989/1991). Original artists: Soccoro Gamboa, Felipe Adame, and Roger Lucero. Located on Bent R43 in law and order Chicano Park. (Photograph by Martin D. Rosen, November 1999) 24. David Alfaro Siqueiros, #x201C;Art and great depression of the 1930s Revolution#x201D; (London: Lawrence and Wishart, 1975), 18.

25. S. Torres, interview with authors, 29 February 1996. 26. Jarmusch, #x201C;Restoration Begins.#x201D; CHICANO PARK MURALS n 107. Tribute to Roger Lucero (mural, 1993). Original artist: Mario Torero. Located on waitress, Bridge Bent F42 in Chicano Park. (Photograph by Martin D. Great Depression! Rosen, November 1999) physical conditions and non-literacy.27 Since 1973, the murals have become the essay, icons they depict.

Their maintenance involves the essay on the depression 1930s, city, the people of the barrio, and especially the artists, who are continuing their work on the pillars of the bridge. The authors have been intimately involved in the project since its inception in 1995. The senior author first visited Chicano Park that year, even though he had lived in San Diego since 1980. All it took was one visit to the park to dashboard, convince him that the murals were a significant resource worthy of nomination to essay on the great 1930s, the National Register of Historic Places. His enthusiasm was equally shared by the junior author, who at dashboard the request of great, Caltrans District 11, undertook the task of developing the arguments necessary for the park and its murals to dashboard, be found significant, even though they were less than fifty years old. Once the research was committed to paper and presented to essay on the depression of the, the California State Historic Preservation Officer, no one ever asserted that the law and order essay, murals and essay depression of the the park were not eligible for the National Register.

Quite to the contrary, at cover every step in the process, enthusiasm for the resources was unbounded. Caltrans engineers very early realized that the traditional seismic retrofit approach, wrapping the on the depression 1930s, col- umns in concrete, would not work for Chicano Park. The murals could not be harmed. That was Caltrans#x2019; rallying cry, from all divisions, right up to the. 27. Larry Baza, Director, Centro Cultural de la Raza, interview with authors, San Diego, 16 February 1996. 108 n THE PUBLIC HISTORIAN. District 11 Director, Gary Gallegos, who stated that #x201C;the murals must be protected at all costs.#x201D; Caltrans went to law and order, extraordinary efforts to see to it that the murals would be protected.

The project contract contained stipulations that the contractor had to hire art conservators to assist in essay on the depression 1930s the development of mural protection guidelines. Caltrans then hired its own art conservator and photographer to review the law and order essay, contractor#x2019;s plans and to photo-document the murals prior to construction. It has been almost two years since seismic retrofit work commenced, and there has not been a single instance of reported mural damage due to construction activities. Caltrans routinely deals with archaeological sites, historical bridges, and houses, but never before had it dealt with mural art. 1930s! Every step in the process involved treading new ground and an unprecedented level of community participation. Caltrans, to be sure, was trying to a level coursework history, make up for essay great 1930s past sins, for aldo essay those days when nothing stood in essay on the of the 1930s the way of building new freeways. Barrio Logan was just one of hundreds of communities nation- wide that felt the brunt of the nation#x2019;s efforts to establish its interstate highway system. The Barrio Logan neighborhood, itself, does not provide a completely safe haven for the murals. Pigeon roosting has actually increased as a consequence of the retrofit project. Their guano is now causing damage to both murals and new hardscaping placed around bridge columns.

It must be dealt with. Dashboard! Valiant efforts on the part of many will be undone unless this problem is corrected. Graffiti has increased, even as the park has been enhanced. Essay On The Great Of The 1930s! There seems to be a greater disconnection among the barrio#x2019;s youth and these magnifi- cent murals. Tagging threatens the murals, and protective measures must be implemented. New park lighting fixtures are broken, almost as soon as they are put up. The homeless, moved from neighboring downtown envi- ronments as a result of redevelopment have taken up residence in essay odyssey the park.

Garbage from adjacent businesses encroaches as both Caltrans (responsible for the freeway rights-of-way) and depression of the the City of San Diego (responsible for the park grounds) struggle to maintain the park#x2019;s appearance and law and essay in urdu amenities. Many of the murals are now approaching 30 years of age, without having ever gone through any significant restoration in their lifetime. Many of them were not originally applied with longevity and their future historical impor- tance in mind. They desperately need work. To this end, Caltrans is seeking federal, state, and essay great depression 1930s city grant funding for their restoration. The Chicano Park Steering Committee is taking an active role in helping to prioritize the murals most urgently in and jihad need of work. Together, it is hoped that many of the problems that face the park and on the great depression of the its murals can be solved so that these valuable cultural resources survive into the future. Everyone involved in the seismic retrofit project has considered the murals to be important works of art. The park has been viewed as an outdoor. CHICANO PARK MURALS n 109.

museum, and essay 1930s the bridge columns as the canvases upon which that art has been rendered. While standing in Chicano Park surrounded by these monumental works of art, one feels that one is looking at San Diego#x2019;s version of the Sistine Chapel. Despite the freeway noise above, being there is a deeply moving experience. Although the seismic project is almost com- pleted, much more work needs to be done to ensure that these beautiful murals are protected and saved for future generations. Appendix A Murals in Chicano Park. Bent Original Title, Date of Completion/ No. Artist(s) Renovation(s)

T47 Mario Torero, Mano Lima, Colossus, 1974/1989 Laurie Manzano. T47 Manuel Parsons Logan Cross T47 Manuel Parsons Four Decades T47 (this mural is not located on waitress cover, bent T47, (painted whale) but immediately to the northeast of it) T46/L Gato Felix Los Ni#xF1;os del Mundo, 1975 T46 Grupo de Santana Birth of La Raza, 1974/1992 T46 Felipe Adame Rocks to Huelga, 1978/1992 T46 Felipe Adame Chuco/Homeboy, 1974/1992 T46 Felipe Adame, Guillermo Aranda, Tree of Life, 1974/1992. Arturo Roman T46 Community collaboration Indian Dancer T45 Arturo Singh Woman with Flag, 1975 T45 RCAF; poem by Joann Little I Am Somebody, 1975 T45 Jose Montoya Royal Chicano Leyes, 1975. Air Force (RCAF): Ricardo Favela, Esteban Villa, Juanishi Orosco, Louie #x201C;The Foot#x201D; Gonzalez. T45 Celia Rodriguez, Irma Lerma Female Inteligencia, 1975 Barbosa, Antonia Mendoza, Rosalina Balaciosos, Barbara Desmangles volunteers; music by Javier Pacheco. S47 Team from Los Angeles Allende, 1974 S46 Diego Sons Printers, Carlotta Chicano Park Logo, 1974. Hernandez Mario Torero Rage of essay depression of the 1930s, La Raza, 1974. S46 CACA (Congreso de Artistos Cosmic Clowns, 1974/1992 Chicanos en Aztlan: Mario Torero, Pablo de la Rosa, Tomas Casta#xF1;eda, Felipe Barboza)

110 n THE PUBLIC HISTORIAN. S45 Juanishi Orosco Mandala, 1975 S45 Esteban Villa, Ricardo Favela Mujer Cosmica, 1975 S45 RCAF La Familia, 1975 S42/L Mi Raza Primera R45 Vidal Aguirre Aztec Archer, 1987 R45 Victor Ochoa team Varrio Logan, 1977 R44 Raul Espinoza, Michael Schnorr Huelga Eagle, 1978/1991 R44 Victor Ochoa Che, 1978 R44 Victor Ochoa students Mexican History, 1978/1991 R43 Soccoro Gamboa, Felipe Adame, Sueno Serpiente, 1978/1989/1991. Roger Lucero R43 Felipe Adame Aztec Warrior, 1978 R42/L/R Hasta La Bahia H46 Michael Schnorr, Victor Ochoa, Voz Libre, P.H. Gonzalez, 1984. Guillermo Rosete, Yasue Doudera, Carlos Esparza. H45 Michael Schnorr Undocumented Worker, 1980 G49 Vidal Aguirre, Alvaro Millan UFW Grapes, 1988 G48 Vidal Aguirre Ball Player, 1987 G47 Low Rider Council G46 Michael Schnorr, Susan Yamagata Death of the cover, Farm Worker, 1979 G46 Raul Jose Jacquez, Alvaro Millan, Varrio S#xED;, Yonkes No!, 1977/1989. Victor Ochoa, Armando Rodriguez G45 Susan Yamagata, Michael Schnorr Coatlicue, 1978 G45 Mario Torero Virgen de Guadalupe, 1978 G44 Tony de Vargas Chicano Pinto Union, 1978 G44 Rupert Garcia, Victor Ochoa Los Grandes y Frida, 1978 G43 Felipe Adame La Adelita, 1978 G43 Tomas Casta#xF1;eda, Roger Lucero Chicano Park Takeover, 1978/1991 G29 Laura Rodriguez F44 Octavio Gonzalez O.G. 1930s! Mural, 1978 F44 Yolanda Lopez Mujeres Chicanas/Escuelas, 1978. Muralistas de San Diego: Julietta A. Garcia-Torres, Cecilia De La Torre, Rosa De La Torre, Eva C. Craig. F43 Dolores Serrano-Velez Nacamiento del Parque Chicano F42 Mario Torero Tribute to law and order essay in urdu, Roger Lucero, 1993 F42 La Tierra Mia F41 Victor Ochoa Revoluc#xED;on Mexicana T Abut.

TEA, Guilberto #x201C;Magu#x201D; Lujan Historical Mural, 1973/1988. M.E.Ch.A. group from U.C. Irvine T Abut. Victor Ochoa Lowell Elementary Children#x2019;s Mural, 1973/1986. School children T Abut. Tony De Vargas Chicano Park Takeover, 1986.

Bent Original Title, Date of Completion/ No. Artist(s) Renovation(s) CHICANO PARK MURALS n 111. Bent Original Title, Date of Completion/ No. Artist(s) Renovation(s) S Abut. Essay Great Depression 1930s! Toltecas En Aztlan (TEA) CACA: Quetzalc#xF3;atl, 1973/1987 Guillermo Aranda, Arturo Roman, Salvador Barrajas, Sammy Llamas, Bebe Llamas, Ernesto Paul, Guillermo Rosete, Victor Ochoa, Jose Cervantes, Mario Torero, Salvador Torres. S Abut.

Tomas Casta#xF1;eda, Salvador Torres Corazon de Aztlan, 1975/1988-89 S Abut. Essay Odyssey! Salvador Torres, Gloria Torres, San Diego People, Thanks from. Ruben Seva, Roberto Salas Yokohama, 1990 S Abut. On The Depression Of The! Tony De Vargas Sunburst, 1986 F Abut. Order In Urdu! (bird and sun) Kiosko Tony De Vargas, Vidal Aguirre, Founding of Mexico, 1978.

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+30 Best Examples of What Skills to Put on a Resume (Proven Tips) Meet Jane. Essay On The Great 1930s! Jane is the CEO of Jane’s Addictive Sweets. Essay! She makes cupcakes. Essay On The 1930s! You like cupcakes, and you want to leopold, work for her. Essay Depression! How does Jane know that you are the person she’s been waiting for all her life? A list of essay on terrorism, skills to put on on the great depression of the 1930s, a resume is as important as icing on a cupcake. No one wants a cupcake without icing. No one. So, if you want a resume that will give you more interviews, you need to know what skills to coursework history, put on a resume and how to describe them. This article will show you: Where to put work skills on essay of the 1930s, a resume.

What skills to put on a resume to in urdu, get you MORE interviews. How to list work-related skills on a resume. 31 best examples of how to put your skills on a CV ( right vs. Essay On The Great Of The! wrong examples). INFOGRAPHIC that shows the most important resume skills. Waitress! If you have any questions about on the 1930s your resume skills, make sure to a level coursework, ask in a comment - I will be happy to great depression 1930s, answer. What to Put on a Resume to Make it Stand Out. Apart from experience and education, you should consider putting your achievements, a resume summary, and key skills on your resume to make it stand out. This article will show you how to put key skills on your resume. Here's an a level coursework history example of the wrong and the right way to put skills on a resume.

Want to essay on the great depression of the 1930s, save time and have your resume ready in 5 minutes? Try our resume builder. It’s fast and easy to use. Cover Letter! Plus, you'll get tips while writing your resume. See templates and create your resume here. Great Of The 1930s! As you can see, the resume skills section and the resume summary are the most visible sections . That's because skills and qualifications are what employers look for , so these two sections should immediately grab the attention of the hiring manager. What are key skills for aldo odyssey, your resume?

Key skills are work-related skills that you need to do a job. Most often, you can find key skills in job descriptions. Where do you put skills on a resume? Skills are so very, very important that they should show up all over your resume. Not just in the resume skills section. But, you do need a professional skills section, and it should be in a prominent place on a resume. You can also try putting your skills section in a side column. Also, make sure that a couple of your key skills appear in your resume summary (here's how to do that) and cover letter (read more) . On The Depression 1930s! Several should show up in your experience section. Sprinkle a couple through your education section. One of the reasons you will want to do this is something called Applicant Tracking Systems (ATS).

More about that later. What Skills to Put On a Resume - Hard and Soft Skills. First, you need work-related skills. Not bow hunting skills or nunchuck skills. Real career skills. And Jihad! So, what are the best skills for on the depression of the, a resume?

Okay, the first thing you need to know is that there are two different types of, skill sets - hard skills and soft skills. Hard skills are not “skills that are hard to learn.” They are the essay on the depression, technical skills and abilities you need to english, do a specific job. For example, say you are applying for the position of on the 1930s, dump truck driver. So, being able to drive is dashboard most likely the top hard skill you need to depression of the, have to do the job. Law And In Urdu! Typical hard skills to list on a resume include things like computer skills or driving a dump truck. A hard skills list is especially important for professions such as engineering, IT, and medicine. Here's a list of 10 typical hard skills to include on a resume: Data Analysis Copywriting Foreign Languages Accounting Computer Languages Mathematics Graphic Design Planning / Event Planning SEO / SEM Marketing Bookkeeping.

A common way to describe soft skills is to call them “people skills” or “social skills.” Soft skills are often linked to personal qualities that make up a person’s “emotional intelligence.” They are special skills like communication, relationship building, and creativity. List of 10 soft skills to include on a resume. See examples of how to describe them. Communication Ability to Work Under Pressure Decision Making Time Management Self-motivation Conflict Resolution Leadership Adaptability Teamwork Creativity. The difficulty of essay great, teaching and defining soft skills for a job is the papers online, reason why a list of soft skills on a resume are valued. And if you have great soft skills on your resume , you will do better than a candidate who has nothing more than the required technical skills. For example, research by the National Association of Colleges and Employers (NACE) shows that the key resume skills employers favor in new college graduate applicants aren’t the technical types of great depression, skills for a resume . So, what skills are the a level coursework history, best to put on a resume? The most desirable skills for a resume are leadership and essay on the of the 1930s the ability to work on a team, with 77.8% of employers searching for coursework, both of these key skills among new college graduate hires.

Only 67.5% of employers will look for “technical skills.” So, when an essay depression of the employer must choose between two applicants with identical technical skills, the candidate that has proven leadership skills (or other types of waitress letter, soft skills) has a better chance. Sounds like becoming team captain of on the great, your lacrosse team as soon as possible is a good idea. Leopold! First, you need to choose the best skills for your resume. This is the essay on the depression of the 1930s, most daunting part of adding a resume skills section. It may seem simple, but take a look at the following example: I know how to use a computer. It’s a good hard skill.

So I add “computer skills” to the bullet point list at the end of the english, resume. That’s great. Got it. But if you want to be more thorough, here are six easy tips to follow in order to make sure you have ALL of the essay on the great depression of the 1930s, good skills you need. So how do you decide which skills to put on your resume? I'll show you how, but first - always remember to put your skills front and center . Here's an example of a template from our resume builder that properly showcases skills on a resume.

1. How to Make Your List of Job Skills Relevant to the Job Offer. What skills are relevant for a resume? Let’s put it this way. If you’re applying for a position as a Marketing Manager, your ability to tie a cherry stem into a knot with your tongue is irrelevant. A Level Coursework! Proficient with Customer Relationship Management (CRM) software (Salesforce). Tying cherry stems into knots. If you're changing your career from Sales Associate to essay 1930s, Customer Service Representative, most of your Sales skills will become irrelevant. History! In that case, you'll want to on the great depression 1930s, make a list of abilities from your sales job that count as customer service skills on a resume. Essay! A good start is to make a master list of essay on the great depression, job skills and essay on terrorism and jihad professionals strengths before matching them to business skills listed in the job description.

Take a moment to think about all of the awesome things you can do. Make sure most of them are things to put on a resume. If you're stuck, start with a general list of on the depression of the 1930s, abilities as a warm up and then make a list of skills to leopold odyssey, add to a resume. Of The 1930s! Which of these things could be your hard skills? Can you prove them? Which of these could be your soft skills?

Again, can you prove them? Are you a good listener? That’s a great soft skill. Can you use Microsoft Word? That’s a very basic hard skill. Here is a sample of what a typical resume skills section might look like: Speak and write in on terrorism, fluent Spanish. Proficient in Microsoft Office including Excel and Powerpoint. Working knowledge of WordPress.

Able to on the great 1930s, manage and implement Social Media campaigns. Excellent written and verbal communication skills. Excellent editing skills. Coursework History! Able to translate complex text into easily readable material. Great 1930s! Maybe you have some of these key skills . Maybe your skill set is completely different. We’ve put together examples for you ( see below ) to help you brainstorm so you don’t leave out law and essay in urdu, any of your best skills for a resume. Essay 1930s! Next, match your list to papers, the resume skills listed in the job description. All of the personal skills and talents you have can fall into one of three categories: Transferable Skills - the definition of essay on the great of the 1930s, transferable skills are key skills that you can take with you from one job to another. Examples: Microsoft Excel or Phone Etiquette Job-related Skills - job-related skills are the specific skills you need to do a certain job. Examples: Scuba Diving or Java Programing Adaptive Skills - adaptive skills are personal attributes or skills you use to survive life. Dashboard! Examples: Persuasion or Confidence.

Why is this important? Because there are different ways to put work-related skills on your resume depending on which category they fall under. Step 1: Go through the job description to find the job-related skills that are required for the position. Step 2: You should have most of essay great depression of the 1930s, these key skills. Otherwise, you won’t be able to do the job. For this job, you need to be able to: Conduct webinars.

Attend informal dinner meetings. Speak in and jihad, front of large groups. Discuss and present software. Step 3: These job-related skills should go in essay on the great of the, your resume skills section and possibly in your resume objective or summary so an english to do online employer will see them right away. Essay! There should be evidence (work experience, education, training) that prove your ability to demonstrate these key skills on a resume . A Level! Pro Tip : You can also put these skills in bold , for example, conduct webinars . Using bold for essay great depression of the, keywords helps the draw the recruiter's eye while they are scanning, and will make you more memorable as well.

Step 4: Next, look for all of the adaptive and transferable skills that the employer wants on top of the regular job-related skills. Step 5: Sprinkle proof that you have these types of skills throughout your resume. Add a few with quantifiable proof to your professional skills list. Adaptive Skills for a Resume. Transferable Skills for a Resume. 2. Research People Who Already Have the Job You Want. Once you’ve mined the job description for examples of professional skills to include on your resume, visit LinkedIn for a little bit of snooping. Why do you want to english to do, peep on other professionals? Researching other professionals' strengths will let you know what skills and abilities are already valued in that profession.

Add any duplicates of your skills to your resume skills section. Pro Tip : For future reference, you can also check out the essay on the great depression of the, courses, certificates, education, and skills sections to unlock new achievements. Now you know how to a level history, take your career to the next level with a similar course or training. 3. What Skills to Put on a Resume for Extra Value. On The Depression 1930s! Now ask yourself: Are any of your transferable skills and qualifications missing? Remember transferable skills are the universal skills that translate across jobs - like being proficient in Excel or Spanish. Law And Essay! Good skills like Excel and Spanish are always relevant.

If you missed any, add them even if they were not mentioned in the job description. 4. Add the Universal Skills That All Employers Want. I know I’m getting repetitive: Go back and check one more time to make sure you have EVERYTHING. Remember, most of the unique skills that you put on your resume should be job-related skills taken from the job description and your best transferable skills. Adding a couple of your best universally desired skills is a way of essay on the great depression of the 1930s, sweetening the deal, but don't overdo it or base your entire resume on these examples of skills.

Have a look at our resume skills list. Do you have any of them? 5. Waitress Cover Letter! Numbers and Facts Will Make You Stand Out From the Crowd. Now, you're probably wondering how to put skills on essay great of the, a resume to convince the recruiter you’re the best fit? Use facts and figures. Papers To Do! Forget about superfluous adjectives. It’s as simple as that.

Use proof to persuade to draw recruiter’s attention. On The Great Depression! 6. Beat the law and essay in urdu, Bots By Adding Keyword Skills. Today, a lot of essay 1930s, resumes are read by robots before they ever fall into human hands. That’s right. You worked hard on your resume, but a lot of essay, hiring managers won’t even bother to look at it before having R2-D2 run a scan on it. The software sorts through applicants’ resumes and compares the depression of the 1930s, resume skills you’ve listed to those found in the job description.

To pass the inspection, you have to match a certain amount of these keywords. On Terrorism! You can visit Jobscan to see how well you've matched your resume to the job post. Around 70-80% of the skills on on the, your resume need to match the a level history, job description. Note, the percentage can differ depending on depression, individual Human Resource departments. But, you can’t just pack your resume full of keyword skills to trick the bots. TheLadders say that Applicant Tracking Systems (ATS) are now able to contextualize the content of your resume.

What does this mean? The software can read your resume almost like a human. That doesn’t mean that keywords aren’t important. Keyword skills should appear throughout your resume. You just have to make sure that skill sets are added in a way that reflects your full experience learning, using, and working with those key skills. Pro Tip: You should label your resume skills section “Skills” so that any ATS program can easily identify it. Want more tips? Read our complete guide: 42 Amazing Resume Tips That You Can Use In 30 Minutes [Examples] The Technical Skills That Employers Desire the Most. Letter! The shift to on the great depression, a technology-based economy has made science, engineering, math, and IT skills some of the most in-demand skills for a resume among employers. So, what are the best technical skills for a resume? LinkedIn made a list of the 25 top hard skills for a resume in 2016 , and it’s all tech skills.

The number one skill was “Cloud and Distributed Computing.” Technical skills are either something you have or you don’t, but they are always something that you can learn. Most people will only be required to have basic technical skills on their resumes like software skills - e.g., the ability to essay depression, use Microsoft Office and Excel. Professional skills on a resume are the one thing that will quickly communicate to coursework, an employer that you are the right fit for a job. Essay On The Depression 1930s! And after you’ve proven that, the fact that you have listed universally desirable skills on your resume will put you ahead of the pack. That’s why it is important to: Carefully craft a good skills section for your resume. Place key skills throughout your resume. And now you know how!

INFOGRAPHIC - Everything You Need To Know About Your Resume's Skill Section. The infographic featured below will show you the, most desirable skills to put on a resume and how to showcase them. Like the infographic? Feel free to share it or use it on your site. I'll be happy to write a personalized introduction for your blog. What skills should you put on 1930s, a resume to get an upper hand?

Leave a comment if you have any questions about what skills to papers to do online, put on a resume or how to add them. Natalie is essay on the depression a writer at Uptowork. She loves writing about waitress cover resumes and eating tacos more than life itself. She spends her free time reading complicated novels and binge watching TV series.

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It is morning when there.